STUDENT WORK

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Eric Simmons, Untitled

Media: reduction woodcut
Dimensions: 18" x 14" 
Date: 2010
Edition size: 5

Course: ARST 2300 - Relief Printmaking
Assignment: Reduction Woodcut. Students were assigned a theme of Scene/Seen and were asked to design a three color reduction woodcut relief print.
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Paula Runyon, Annie Albers

Media: relief pressure print
Dimensions: 9" x 12"
Date: 2017
Edition size: 20

Course: ARST3320/ARST7320 - Introduction to Letterpress
Assignment: Create a layered cut paper matrix for a pressure print portrait. Students were given the choice of creating a self-portrait or using a friend, family, or someone they admire and respect as the subject for the print.
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Kate Gilman, Open Happiness

Media: letterpress (photopolymer plates and lead type)
Dimensions: 11" x 14"
Date: 2013
Edition size: 10

Course: ARST3320/ARST7320 - Introduction to Letterpress
Assignment: Broadside.
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Kristine Leschper, Quivering

Media: letterpress (wood type)
Dimensions: 7" x 5"
Date: 2014
Edition: 15

Course: ARST3310/ARST7310 - Introduction to Letterpress
Assignment: Color & Action. This is the second class exercise and students are challenged to experiment with color, transparency, and the effects of layering two or more colors to create a third color in the overlaps. They are asked to use a word that is activated by the color layering or that the definition is illustrated via their color choices and page design.
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Kaleena Stasiak, Untitled

Media: intaglio with chine collé
Dimensions:
Date: 2015
Edition: 17

Course: ARST7380 - Graduate Printmaking Seminar
Assignment: Festina Lente exchange portfolio. The class decided on the Latin adage festina lente or "make haste slowly" for their theme and each student developed a print around the broad themes of craft, the handmade object, and working slowly and deliberately. 
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Allen Ray, Untitled

Media: intaglio
Dimensions: 7 ft x 5 ft
Date: 2015
Edition: variable configurations using over 200 individual triangular prints

Course: ARST3370 - BFA Exit Seminar
Assignment: BFA exhibition. Students were charged with developing a cohesive body of work as part of the capstone course for the BFA degree. Students proposed a project and the course included the execution of this project along with considerations of curation, space, installation logistics and mechanisms. Publicity for the exhibition and professional practice exercises in developing an artist statement, bio and resumé were also part of the course.
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Andrew Lam, Untitled

Media: handmade paper, yarn, fabric
Dimensions:
Date: 2014

Course: ARST3310/ARST7310 - Introduction to Book Arts
Assignment: Paper Installation or Sculpture. 
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Emily Fletcher, Landscapes

Media: acrylic on paper; accordion structure
Dimensions:
Date: 2016

Course: ARST1060 - Color and Composition (studio foundations core)
Assignment: Transformation/Transition. Create an "exquisite" accordion book that illustrates the theme of transition/transformation where the scene transitions at each fold. The exquisite book is inspired by the surrealist exercise of the exquisite corpse.

Rebecca Jones, Bo-Ba-Ne

Media: letterpress, silkscreen, and digital printing; multi-layer accordion book structure
Dimensions: 5" x 7" closed;  40" x 7" open
Date: 2015
Course: ARST3370 - Advanced Book Arts
Assignment: Draw cards from the Artists' Book Ideation Deck and complete a book using the parameters and limitations from the randomly chosen cards. For this project, Rebecca drew the following cards: text: nonsense, jibberish; structure: ; color:  ; image: ; layout: ; adjectives:
Edition size: 3
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Katherine Miller, Attached to What It Is

Media: wood grain relief prints; enclosure book structure
Dimensions: 
Date: 2016
Course: ARST7330 - Graduate Printmaking Seminar
Assignment:
Edition: 1
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Raleigh Chesney, Devoured Horae (above: page spread; below: book fully extended)

Media: monotype, silkscreen, and letterpress; accordion book structure
Dimensions: 8" x 5" closed; 17.5 ft x 5" fully extended
Date: 2014
Course: ARST3320/ARST7320 - Introduction to Letterpress
Assignment: 
Edition size: 10
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Ali Norman, Untitled

Media: intaglio (line etch & aquatint) on handmade paper;  hard cover pamphlet book structure
Dimensions:
Date: 2017
Course: ARST3310/ARST7310 - Introduction to Book Arts
Assignment:
Edition:
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Mike Levine, Men btwn Legs

Media: mixed media (silkscreen, lithography, intaglio, collage); accordion book structure; digital animation
Dimensions:
Date: 2012
Course: ARST3310/ARST7310 - Introduction to Book Arts
Assignment:
Edition: 1
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Anjuli Bernstein, Ginkgo in Fall (right: detail of handmade paper leaves)

Media: handmade paper, wood
Dimensions: 5 ft x 6 ft
Date: 2014
Course: ARST3310/ARST7310 - Introduction to Book Arts
Assignment: Use paper as the primary part of an installation or sculpture. Students learn to make flat sheets of paper but are also encouraged to explore the many sculptural possibilities of paper.
Edition size: 1
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Hong Hong, All Night Dream-Sowing II

Media: handmade paper (hand poured kozo)
Dimensions: 8 ft x 12 ft
Date: 2014
Course: ARST
Assignment:
Edition: 1
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Ry McCullough, Slagfields

Media: handmade paper; relief prints and india ink
Dimensions:
Date: 2014
Course:
Assignment:
 

Phung Thien Duong, The Food of My People

Media: digital printing; double spine hard cover pamphlet structure
Dimensions:
Date: 2017
Course: ARST3310/ARST7310 - Introduction to Book Arts
Assignment:
Edition: 3
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Ali Norman. Take Root (left) and Home Grown (right)

Media: intaglio on handmade paper
Dimensions:
Date: 2017
Edition:

Course:
Assignment:

Kaitlyn McManus; Erica Linder; Grace Zuniga; Ali Norman; Paula Runyon; Joel Hoffman; Sarah Kennedy; Trent Johnson; Mitch Dowell; Caroline Corder; Arron Foster; Ry MuCullough; Saegan Moran; Michael Benedetti; An Pham; Sasha Schilbrack-Cole; Andrew Brown; Kate Flake; Michelle Buchanan; Gina Berchin; Amanda Schrembeck; Catherine Clements